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Pintura Acrílica Amarillo Cadmio Claro (Tono) 500 ml - Bellas Artes
Fine Arts
Pintura Acrílica Amarillo Cadmio Claro (Tono) 500 ml - Bellas Artes
Referencia: 23043
Regular price
20,95€
Regular price
Sale price
20,95€
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Colour: Cadmium Yellow Light (Tone)
Lightfastness: A
Opacity: Semi-transparent
Pigment: PY3, PY83
Pigment Description: Arylide Yellow, Diarylide Yellow
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic pigments have been use ...
Lightfastness: A
Opacity: Semi-transparent
Pigment: PY3, PY83
Pigment Description: Arylide Yellow, Diarylide Yellow
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic pigments have been use ...
Colour: Cadmium Yellow Light (Tone)
Lightfastness: A
Opacity: Semi-transparent
Pigment: PY3, PY83
Pigment Description: Arylide Yellow, Diarylide Yellow
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic pigments have been used since ancient times, with the majority derived from or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now represent a very important group in the manufacture of artists’ colours, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive and includes azo pigments, phthalocyanine blues and greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
Lightfastness: A
Opacity: Semi-transparent
Pigment: PY3, PY83
Pigment Description: Arylide Yellow, Diarylide Yellow
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic pigments have been used since ancient times, with the majority derived from or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now represent a very important group in the manufacture of artists’ colours, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive and includes azo pigments, phthalocyanine blues and greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
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