1
/
of
1
Pthalocyanine Prussian Blue Acrylic Paint 1 L - Fine Arts
Fine Arts
Pthalocyanine Prussian Blue Acrylic Paint 1 L - Fine Arts
Referencia: 24046
Regular price
38,95€
Regular price
Sale price
38,95€
Taxes included.
Shipping calculated at checkout.
Quantity
Couldn't load pickup availability
Colour: Phthalocyanine Prussian Blue
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15:3, PBk7
Pigment description: Polysulphide Sodium and Aluminium Silicate, Copper Phthalocyanine, Nearly Pure Amorphous Carbon
ASTM Lightfastness Classification: I
Pigment classification: Mixture
Colour Index Number: -
Viscosity range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are b ...
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15:3, PBk7
Pigment description: Polysulphide Sodium and Aluminium Silicate, Copper Phthalocyanine, Nearly Pure Amorphous Carbon
ASTM Lightfastness Classification: I
Pigment classification: Mixture
Colour Index Number: -
Viscosity range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are b ...
Colour: Phthalocyanine Prussian Blue
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15:3, PBk7
Pigment description: Polysulphide Sodium and Aluminium Silicate, Copper Phthalocyanine, Nearly Pure Amorphous Carbon
ASTM Lightfastness Classification: I
Pigment classification: Mixture
Colour Index Number: -
Viscosity range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since ancient times and most are derived from or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now represent a very important group in the manufacture of colours for artists, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive and includes azo pigments, blues, phthalocyanine greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15:3, PBk7
Pigment description: Polysulphide Sodium and Aluminium Silicate, Copper Phthalocyanine, Nearly Pure Amorphous Carbon
ASTM Lightfastness Classification: I
Pigment classification: Mixture
Colour Index Number: -
Viscosity range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since ancient times and most are derived from or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now represent a very important group in the manufacture of colours for artists, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive and includes azo pigments, blues, phthalocyanine greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
Share
