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Pintura Acrílica Azul Prusia (Tono) 500 ml - Bellas Artes
Artist Acrylic
Pintura Acrílica Azul Prusia (Tono) 500 ml - Bellas Artes
Referencia: 18405
Regular price
29,95€
Regular price
Sale price
29,95€
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Colour: Prussian Blue (Tone)
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15:3, PBk7
Pigment Description: Aluminium and sodium sulfosilicate, Copper Phthalocyanine Blue, Carbon Black
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 20,000 - 25,000
Colour Index
The pigments used are both inorganic and organic. ...
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15:3, PBk7
Pigment Description: Aluminium and sodium sulfosilicate, Copper Phthalocyanine Blue, Carbon Black
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 20,000 - 25,000
Colour Index
The pigments used are both inorganic and organic. ...
Colour: Prussian Blue (Tone)
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15:3, PBk7
Pigment Description: Aluminium and sodium sulfosilicate, Copper Phthalocyanine Blue, Carbon Black
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 20,000 - 25,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since ancient times and most are derived or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now represent a very important group in the manufacture of artists’ colours, producing bright and luminous tones of extraordinary intensity. The range of organic pigments is currently very extensive and includes azo pigments, phthalocyanine blues and greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15:3, PBk7
Pigment Description: Aluminium and sodium sulfosilicate, Copper Phthalocyanine Blue, Carbon Black
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 20,000 - 25,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since ancient times and most are derived or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now represent a very important group in the manufacture of artists’ colours, producing bright and luminous tones of extraordinary intensity. The range of organic pigments is currently very extensive and includes azo pigments, phthalocyanine blues and greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
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