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Pintura Acrílica Esmeralda Ftalocianina 500 ml - Fine Arts
Fine Arts
Pintura Acrílica Esmeralda Ftalocianina 500 ml - Fine Arts
Referencia: 23054
Regular price
20,95€
Regular price
Sale price
20,95€
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Colour: Phthalo Emerald
Lightfastness: AA
Opacity: Opaque
Pigment: PG7, PW6
Pigment Description: Chlorinated Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Rating: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since a ...
Lightfastness: AA
Opacity: Opaque
Pigment: PG7, PW6
Pigment Description: Chlorinated Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Rating: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since a ...
Colour: Phthalo Emerald
Lightfastness: AA
Opacity: Opaque
Pigment: PG7, PW6
Pigment Description: Chlorinated Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Rating: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since ancient times and most are derived from or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now form a very important group in the production of artists’ colours, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive, encompassing azo pigments, blues, phthalocyanine greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
Lightfastness: AA
Opacity: Opaque
Pigment: PG7, PW6
Pigment Description: Chlorinated Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Rating: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since ancient times and most are derived from or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now form a very important group in the production of artists’ colours, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive, encompassing azo pigments, blues, phthalocyanine greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
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