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Pintura Acrílica Azul Cyan Oscuro 500 ml - Bellas Artes
Fine Arts
Pintura Acrílica Azul Cyan Oscuro 500 ml - Bellas Artes
Referencia: 23063
Regular price
20,95€
Regular price
Sale price
20,95€
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Colour: Dark Cyan Blue
Lightfastness: AA
Opacity: Opaque
Pigment: PB15:3, PW6
Pigment Description: Copper Phthalocyanine, Titanium Dioxide Rutile
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since anc ...
Lightfastness: AA
Opacity: Opaque
Pigment: PB15:3, PW6
Pigment Description: Copper Phthalocyanine, Titanium Dioxide Rutile
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since anc ...
Colour: Dark Cyan Blue
Lightfastness: AA
Opacity: Opaque
Pigment: PB15:3, PW6
Pigment Description: Copper Phthalocyanine, Titanium Dioxide Rutile
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since ancient times and most are derived or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now form a very important group in the manufacture of colours for artists, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive, encompassing azo pigments, blues, phthalocyanine greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
Lightfastness: AA
Opacity: Opaque
Pigment: PB15:3, PW6
Pigment Description: Copper Phthalocyanine, Titanium Dioxide Rutile
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since ancient times and most are derived or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now form a very important group in the manufacture of colours for artists, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive, encompassing azo pigments, blues, phthalocyanine greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
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