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Pintura Acrílica Lapislazuli 500 ml - Fine Arts
Fine Arts
Pintura Acrílica Lapislazuli 500 ml - Fine Arts
Referencia: 23058
Regular price
20,95€
Regular price
Sale price
20,95€
Taxes included.
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Colour: Lapis Lazuli
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15, PW6
Pigment Description: Sodium and Aluminium Polysulphide Silicate, Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Rating: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The i ...
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15, PW6
Pigment Description: Sodium and Aluminium Polysulphide Silicate, Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Rating: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The i ...
Colour: Lapis Lazuli
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15, PW6
Pigment Description: Sodium and Aluminium Polysulphide Silicate, Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Rating: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic pigments have been used since ancient times and most are derived from or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now form a very important group in the manufacture of colours for artists, producing bright and luminous tones with extraordinary intensity, combined with excellent stability and permanence. The range of organic pigments is currently very extensive and includes azo pigments, phthalocyanine blues and greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
Lightfastness: AA
Opacity: Opaque
Pigment: PB29, PB15, PW6
Pigment Description: Sodium and Aluminium Polysulphide Silicate, Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Rating: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic pigments have been used since ancient times and most are derived from or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now form a very important group in the manufacture of colours for artists, producing bright and luminous tones with extraordinary intensity, combined with excellent stability and permanence. The range of organic pigments is currently very extensive and includes azo pigments, phthalocyanine blues and greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
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