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Pintura Acrílica Rojo Cadmio Oscuro (Tono) 500 ml - Bellas Artes
Fine Arts
Pintura Acrílica Rojo Cadmio Oscuro (Tono) 500 ml - Bellas Artes
Referencia: 23045
Regular price
20,95€
Regular price
Sale price
20,95€
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Colour: Cadmium Red Dark (Tone)
Lightfastness: A
Opacity: Opaque
Pigment: PR112, PR101, PY83
Pigment Description: Napthol AS-D, Synthetic Red Iron Oxide
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used s ...
Lightfastness: A
Opacity: Opaque
Pigment: PR112, PR101, PY83
Pigment Description: Napthol AS-D, Synthetic Red Iron Oxide
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used s ...
Colour: Cadmium Red Dark (Tone)
Lightfastness: A
Opacity: Opaque
Pigment: PR112, PR101, PY83
Pigment Description: Napthol AS-D, Synthetic Red Iron Oxide
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since ancient times and most are derived or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now represent a very important group in the manufacture of colours for artists, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive and includes azo pigments, phthalocyanine blues and greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
Lightfastness: A
Opacity: Opaque
Pigment: PR112, PR101, PY83
Pigment Description: Napthol AS-D, Synthetic Red Iron Oxide
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. Inorganic pigments have been used since ancient times and most are derived or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now represent a very important group in the manufacture of colours for artists, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive and includes azo pigments, phthalocyanine blues and greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
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