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Pintura Acrílica Sombra Tostada 500 ml - Fine Arts
Fine Arts
Pintura Acrílica Sombra Tostada 500 ml - Fine Arts
Referencia: 23018
Regular price
20,95€
Regular price
Sale price
20,95€
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Colour: Toasted Shadow
Lightfastness: AA
Opacity: Opaque
Pigment: PY42, PR101, PBk7
Pigment Description: Synthetic Iron Oxide, Synthetic Red Iron Oxide, Nearly Pure Amorphous Carbon
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The ino ...
Lightfastness: AA
Opacity: Opaque
Pigment: PY42, PR101, PBk7
Pigment Description: Synthetic Iron Oxide, Synthetic Red Iron Oxide, Nearly Pure Amorphous Carbon
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The ino ...
Colour: Toasted Shadow
Lightfastness: AA
Opacity: Opaque
Pigment: PY42, PR101, PBk7
Pigment Description: Synthetic Iron Oxide, Synthetic Red Iron Oxide, Nearly Pure Amorphous Carbon
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic pigments have been used since ancient times and most are derived or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium pigments, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now form a very important group in the manufacture of artists’ colours, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive, including azo pigments, phthalocyanine blues and greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
Lightfastness: AA
Opacity: Opaque
Pigment: PY42, PR101, PBk7
Pigment Description: Synthetic Iron Oxide, Synthetic Red Iron Oxide, Nearly Pure Amorphous Carbon
ASTM Lightfastness Classification: I
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic pigments have been used since ancient times and most are derived or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium pigments, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now form a very important group in the manufacture of artists’ colours, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive, including azo pigments, phthalocyanine blues and greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
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