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Pintura Acrílica Verde Claro 500 ml - Fine Arts
Fine Arts
Pintura Acrílica Verde Claro 500 ml - Fine Arts
Referencia: 23059
Regular price
20,95€
Regular price
Sale price
20,95€
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Colour: Light Green
Lightfastness: AA
Opacity: Opaque
Pigment: PY3, PG7, PW6
Pigment Description: Arylide Yellow, Chlorinated Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic p ...
Lightfastness: AA
Opacity: Opaque
Pigment: PY3, PG7, PW6
Pigment Description: Arylide Yellow, Chlorinated Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic p ...
Colour: Light Green
Lightfastness: AA
Opacity: Opaque
Pigment: PY3, PG7, PW6
Pigment Description: Arylide Yellow, Chlorinated Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic pigments have been used since ancient times and most are derived from or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now form a very important group in the manufacture of artists’ colours, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive and includes azo pigments, blues, phthalocyanine greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
Lightfastness: AA
Opacity: Opaque
Pigment: PY3, PG7, PW6
Pigment Description: Arylide Yellow, Chlorinated Copper Phthalocyanine, Rutile Titanium Dioxide
ASTM Lightfastness Classification: II
Pigment Classification: Mixture
Colour Index Number: -
Viscosity Range (mPa.s): 15,000 - 20,000
Colour Index
The pigments used are both inorganic and organic. The inorganic pigments have been used since ancient times and most are derived from or extracted from minerals and clays, such as natural earths, siennas, and ochres. Titanium, carbon, ultramarine blue, cobalt, and cadmium pigments also belong to this category. Many of these are now synthesised through industrial processes. Organic pigments are more modern, developed in the early 20th century thanks to new synthesis methods in Organic Chemistry. These synthetic pigments now form a very important group in the manufacture of artists’ colours, producing bright and luminous tones with extraordinary intensity, excellent stability, and permanence. The range of organic pigments is currently very extensive and includes azo pigments, blues, phthalocyanine greens, dioxazines, pyrroles, anthraquinones, quinacridones, and more.
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